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Visual Argumententation Assignment

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Joan Mitchell, "The Sink," 1956. Collection of David and Jane Davis. © The Estate of Joan Mitchell



I chose to do Mitchell's art piece because it caught my attention and made me wonder what the artist wanted me to see or feel. The piece is obviously one of many abstract expressionist art. You can not really tell what is going on in the picture until you read it's side note. The title "The Sink" gave me an idea where the artist was headed in her work. I started to notice toward the center that the paint started to get thicker and was converging like how liquids do when they are going down a drain.


At first I could not tell what was going on in the picture since it is hard to easily define an abstract art piece. All I saw at first was the many brush strokes created to make the piece. I imagined that the artist was frustrated about something and vented her anger on the canvas. I had to read the side note to better understand the picture because a person can fish out endless meanings in an abstract piece. The clue that gave me a better understanding was the title "The Sink" that is when I imagined how can this painting be related to something I see in the kitchen and bathroom. I could not see an actual sink, but I can see a spiraling motion of the direction of the brush strokes. The strokes appear to be merging to the center. I felt that the artist could be describing her feelings or even the direction art is taking.


Using techniques that Ball and Arola used I was able to put frames on the image to separate different elements of the painting. The center portion consists of the twisting and thickening of the paint. The outer portion consists of the regular horizontal and few vertical brush strokes creating a framelike pattern.

Ball and Arola emphasized contrast in their lecture so I increased the contrast while slightly decreasing the brightness to expose the stronger colors. After modifying the picture I was able to see a left and right side of the painting that is coming together to form a thick center.




Combining the ideas of framing and contrast I was able to increase the contrast to only the center portion of the painting so that it will give the idea that the paint is converging towards the middle (as you can tell with the thickness of the paint you see in the actual museum piece). By increasing the contrast towards the center of the piece the viewer can easily identify the "sinking" that the artist is trying to express in her painting.


After applying the modifications to the art piece I am confident the viewer can find the meaning easier. The painting can now portray the sinking aspect since it presents a sense of depth with the use of contrast towards the center. The painting can now present a sense of change of the way Art itself is taking first going from realistic to absract. The twisting can symbolize the ongoing change of what is considered art.